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A C A D I E

The Internet newsletter for Daniel Lanois

Number 23, Monday, 20 May 1996




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A C A D I E

The Internet newsletter for Daniel Lanois

Today's Topics:
     Re: ACADIE Digest, Number 22
     Re: ACADIE Digest, Number 22
     Ron Sexsmith - Lanois track
     D.L./Malcolm Burn/Patti Smith/L.J.
     Ron Sexsmith
     LYRICS > O Marie     

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POSTS: Please send all posts to lanois@sfbayconcerts.com
WWW:  http://www.sfbayconcerts.com/lanois/home.html
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Date: Sat, 11 May 96 22:32 MDT
From: eveleigh@rmii.com (The Eveleighs)
Subject: Re: ACADIE Digest, Number 22


I guess one of the joys of not reading liner notes (I do most of my
listening while driving) is a) being surprized by the actual lyrics when I
find them and b) assuming the DL was a big component of "The Last
Temptation" P. Gabriel album! It is still a wonderful album and I agree with
Antonio that viewing the film helps.
My dream DL team: "The Cowboy Junkies" - whose recent album: Lay It Down is
quite beautiful.  T.     

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From: WFY261@aol.com
Date: Sun, 12 May 1996 18:42:24 -0400
Subject: Re: ACADIE Digest, Number 22

Marja,

I was interested in your response.  Thanks for answering my question.  Don't
worry abour raving on.  Do get the Storyville album - it's great!  I was just
in New Orleans and had a great time.  Isn't the Storyville neightborhood just
north of the French Quarter, off Canal St.? 

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From: Jayjayrn@aol.com
Date: Tue, 14 May 1996 01:54:19 -0400
Subject: Ron Sexsmith-Lanois track

Lanois produced the last cut on the album.  It is the superior cut and it has
all of the Lanois textures that his fan's listen for. Awesome

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From: eclark@monmouth.com
Date: Tue, 14 May 1996 13:26:30 -0400
Subject: D.L./ Malcolm Burn/Patti Smith/L.J.

Malcolm, who has appeared on D>L's records and related other projects, has
co-produced the new Patti Smith album, "Gone Again." I have the advance
promo ep for it, and the sound is related to the warm, yet strong D>L> sound
we all love. Smith, for those who are unfamiliar is the poet, singer,
songwriter who in the 70's dominated rock music with literacy and intensity.
Some might say she is the reason we see the success of artist's like P.J.
Harvey today. "Gone Away" will be out in June.
Check the Rolling Stone with Letterman on the cover for an teaser article
about Dan & Luscious J. project. Picture too. "Auntie Dan?....?????
Eric 


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Date: Fri, 17 May 96 23:37:21 0200
From: Antoine STROH 
Subject: Ron Sexsmith

Hi,
This record is eponymous and has been released in 1995 by Interscope.
By the way, this is splendid music !!
				
			Cheers,
				Antoine

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Comments: Authenticated sender is 
From: "Juan M. Parra" 
Date: Fri, 17 May 1996 12:32:20 -0700
Subject: O Marie

This is my 2 cents for the french part.

Juan

O Marie

Il y a quelqu'un qui appelle mon nom (2X)
On travail aujourd'hui, on travail sous la pluie
On travaille au tabac et l'hostie

- On travaille au tabac STIE (hostie)
- stie is a slang for *hostie* which is the
- same time is a form of swearing in Quebec, it may mean
- shit or fuck (whithin the context). Swearing using
- church words became very common after the '60s,
- that was part of "la revolution tranquile"

Mes mains sont noir a cochon (2X)
trente jours, et trente nuits
On travail au tabac et le hostie

Oui ma blonde elle attend apres mois (2X)
Je vais retourner avec beaucoup d'argent
On travail au tabac et le hostie

Oh driver donne moi une chance (2X)
Avez-vous du feu pour ma cigarette

- Avez-vous du feu pour ma cigarette?
- Just a sign;-)

On travail au tabac et le hostie

Ce soir, on va au village (Oui, 2X)
Chanter le chanson, boire la boisson
On travail au tabac et le hostie

O Marie, j'ai mal a la tete (2X)
Donnez nous l'esprit, l'esprit du corps
On travail au tabac, Marie

Le bleu(maybe dieu) du ciel a change (Oui, 2X)

- Le BLEU du ciel a change (Oui, 2X)

Apres quarante jours et quarante nuits
On ne peut pas travailler au tabac

Il y a quelqu'un qui appelle mon nom (2X)
On travail aujourd'hui, on travail sous la pluie
On travail au tabac.

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The views expressed in ACADIE are those of the individual authors only.
ACADIE is released for the personal use of readers. No commercial use may
be made of the material unless permission is granted by the author.

   Kenley Neufeld, ACADIE editor

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