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Number 42, Monday, 14 October 1996 Today's Topics: Re: Trip? KPFA Radio show & Luscious Jackson record Trip Lyrics [][][][][][][][][][][][][][][][][][][][][][][][][]
POSTS: Please send all posts to lanois@sfbayconcerts.com
WWW: http://www.sfbayconcerts.com/lanois/home.html
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Date: Mon, 7 Oct 1996 09:39:10 -0700 (PDT)
From: DUBS <dubs@youngdubs.com>
Subject: Re: Trip?
Hey!
Thanks for the email back. The Trip CD was a promo only deal so
it's quite a find. Like I said earlier, the tracks I did hear
were amazing.
Instrumental film music of sorts. Congrats on the sight for it's
a good one.
I saw Lanois years ago hear in LA at the Roxy supporting the
first
album. Great show, great band, played "You Don't Miss Your
Water". etc....
Please let me know if you come across Trip!
Jon
____________________
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From: eclark@monmouth.com
Date: Tue, 8 Oct 1996 14:27:47 -0400 (EDT)
Subject: KPFA Radio show& Luscious Jackson record
Greetings All,
I'd like to start a dialogue with you about the works in progress
that
Daniel so kindly shared on his recent guest spot on KPFA, San
Francisco.
(Thanks again to Billy Burke for the dubs!) ("Don't tell me
this town ain't
got no heart!" -Jerry Garcia/Robert Hunter)
The first track is a heavy drum track with kit and Djembe. The
deep
processing makes the music sound like it's being played in a cave
and is a
powerful means of transportation.
The next one has guitar and bass as well as drums and percussion,
and what
sounds like synth samples too, buzzing beeping and flying around
in the mix,
like some kind of electronic fireflies. This one has a reggae
feel to it.
These are very strong grooves. I certainly hope they both make
the final cut
as the record progresses.
The two LJ tracks Daniel played (he has produced their upcoming
record, I
won't assume that everyone knows) are fantastic too, with lyrics
like
"faith will come, humbly down. Fear will come, tumbling
down..." (I *think*
these are correct, but the spirit is clear at any rate. This one
sounds like
it has Daniel's writing in it either completely or as co-writer.
The sound
of these tracks and the first official single which has been
released (Naked
Eye) is wonderful. Great, Deep bass pours out of the monitors.
Daniel really brings out the sweetest part of these performers
work, but
it's clearly a LJ record.
There's also a piece with Daniel providing music and Ani DiFranco
reading a
poem. The piece is profoundly intimate. I just can't say how much
it rocked
my world. This is supposed to be released as part of a
compilation at some
point.
The LJ album "Fever in Fever out" is due at the end of
october.
Be well my electronic friends....
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Date: Mon, 14 Oct 1996 12:11:36 -0700 (MST)
From: "Antonio S Abeyta" <21113@ef.gc.maricopa.edu>
Subject: Trip
> Do you have a copy of "Trip", the soundtrack promo
> CD by Lanois?=20
> The tracks I've heard on the radio were amazing. Also, any
> ideas on how
> to get a copy?
> Regards,
> Jon Mattox
>
> [Editor's Note: anybody heard of this or have this? --
Kenley]
I remember this was mentioned in a very early edition of the list
-
someone mentioned that they had won it from a radio station and
that it
was a CD that Dan had made to promo his music to movie studios
for use as
a soundtrack.
By the way - wasn't it mentioned a while back that he was doing a
score
and/or soundtrack work for a couple movies? Any more info on
this?
Ant
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Date: Mon, 14 Oct 1996 12:21:53 -0700 (MST)
From: "Antonio S Abeyta" <21113@ef.gc.maricopa.edu>
Subject: Lyrics
>I also read that he didn't like to include the lyrics in the
album,
>because he thought the music was more important that the
meaning of the
>lyrics. I guess he must be mad at Ant and me for tryng to put
together his
>lyrics B-)
But hopefully he'd forgive us once he knew it was merely for the
sake of,
as you said - magical music... :) I've actually learned quite a
lot from
doing it and I'd already held sincere appreciation for the beauty
and
power of the music (as I'm sure many did) long before I ever
thought of
putting together lyrics... :)
Ant
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The views expressed in ACADIE are those of the individual authors
only.
ACADIE is released for the personal use of readers. No commercial
use may
be made of the material unless permission is granted by the
author.
Kenley Neufeld, ACADIE editor
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