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Number 45, Sunday, 3 Novemer 1996 Today's Topics: Message from the Editor Hello from Hamilton! dylan album?? U2 Re: WKCR re: liner notes WKCR: How? I'd like to see DL work with... Luscious Jackson new member of the "club" Good Jackson, No Daniel [][][][][][][][][][][][][][][][][][][][][][][][][]
POSTS: Please send all posts to lanois@sfbayconcerts.com
WWW: http://www.sfbayconcerts.com/lanois/home.html
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From: Kenley Neufeld
Subject: Message from the Editor
We have had a great deal of new subscribers in recent weeks.
Welcome! Please send your messages to lanois@usfca.edu to be
included in the next digest.
Just a reminder, if your email bounces more than 2 times, I will
remove your name from the distribution list.
Please take some time to look over our subscriber list. We come
from all over the world and we now number 204. The web page is
one year old tomorrow and the Newsletter will be one next month.
Let's keep this thing going.
Thanks for all your participation.
Kenley
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Date: Tue, 29 Oct 1996 14:24:20 -0500
From: k104 <k104@execulink.com>
Subject: Hello from Hamilton!
My name's Jordan Buntain and I'm from Dundas/Ancaster Ontario.
Mr.
Lanois and my step-uncle helped build Grant Avenue Studios and it
never
occured to me that a lot of people were "in to"
Daniel's solo music as much
as they are! I've been listening to him for a long time and it's
great to
see he's getting a fabulous response to his musical
talent...(He's not a bad
producer too:)
Cheers from back home, Jordan Buntain
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Date: Tue, 29 Oct 1996 14:23:50 -0800
From: ay858@lafn.org (Henry Llach)
Subject: Re: ACADIE Digest, Number 44 [dylan album??]
does anybody know for sure that lanois is currently working on
the dylan
album?
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Date: Tue, 29 Oct 1996 17:39:56 -0500 (EST)
From: God <cc638093@oak.cats.ohiou.edu>
Subject: Re: ACADIE Digest, Number 44 [U2]
Hello all,
I was just wondering, I noticed that U2 wasn't using Eno or
Lanois
for the recording of their new album(At least I believe i recall
seeing
this) and I was wondering what everyone thought this would do to
their
work. It seems some of U2's more mature material was from
Unforgettable
Fire onwards, which is when Lanois and Eno appeared on the scene.
What
does anyone think about this effecting their sound?
Chris
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From: CCM5@aol.com
Date: Tue, 29 Oct 1996 19:54:02 -0500
Subject: Re: ACADIE Digest, Number 44 [Re: WKCR]
Hello all! I'm curious if anyone has the playlist of Lanois'
guest D.J. spot
on WKCR. I'm dying to know the tracks he chose!
Thanks,
Michael
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From: ElevenShad@aol.com
Date: Tue, 29 Oct 1996 23:43:02 -0500
Subject: Re: ACADIE Digest, Number 44
In a message dated 96-10-29 10:44:19 EST, you write:
< I never paid
< much attention in the past to liner notes. But now I pore
over them
<carefully, looking for patterns and people, trying to make
connections
<among records and studios, wondering what the alliances are,
who the real
<talents are, and how the music evolves in the process. I
guess I'm
<developing a hobby.
I believe that is how Emmylou Harris chose Lanois initially. She
noted that
many of the recordings that seemed particularly passionate and
emotional to
her involved Lanois, so when asked what producer she wanted to
work with, she
stated Lanois.
In either case, i discovered Lanois' work through the fact that
he had
recorded with Brian Eno ("The Pearl" is a very
beautiful, atmospheric
collection of music). I had also listened to a Martha and the
Muffins LP,
which, although I didn't know at the time, involved DL and his
sister.
-Ken/Eleven Shadows
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Date: Wed, 30 Oct 1996 00:33:11 -0500
From: igranof1@swarthmore.edu (ilmi)
Subject: WKCR: How?
This is a message aimed in response to suren's last contribution.
The
radio show sounds like a great tape, but HOW do I get it. I don't
even
know where WKCR broadcasts. Do you have an adress? cost?
Meanwhile I
impatiently await the luscious jackson concert friday here in
Philadelphia.
JOY!
ilmi granoff
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"All humanity is one undivided an indivisible family, and
each on of us is
responsible for the misdeeds of all the others. I cannot detatch
myself
from the wickedest soul." -Mahatma Gandhi
"Separate from yourself that which seperates you from your
fellow human beings."
- M. R. Bawa Muhaiyaddeen
"[Hu]man and heaven and earth are one thing. Why should
[hu]man purposely
belittle himself?"
- Ch'eng Hao
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From: ElevenShad@aol.com
Date: Wed, 30 Oct 1996 19:12:20 -0500
Subject: I'd like to see DL work with...
In a message dated 96-10-29 10:44:19 EST, you write:
<< I'd love to see Daniel Lanois work with PJ Harvey, Sonic
Youth, or Nick
<< Cave.
Or Sade, Cesaria Evora, Nusrat Fateh Ali Khan, Steve Reich, a
really good
Irish folk ensemble, or any really heavy hardcore group (just to
see what
that would sound like!). Or me <g>!
-Ken/Eleven Shadows
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From: eclark@monmouth.com
Date: Thu, 31 Oct 1996 14:12:59 -0500 (EST)
Subject: Luscious Jackson
I find myself wanting after listening to the new LJ cd. I
purchased it
because Daniel produced it. I tend to give credibility to artists
he works
with. There are, to be sure, some great moments, a few really
fine
lyrics....but, if you are thinking about it for the same reasons,
I feel
it'd be wise to hear it before you fork over the 15 dollars.
Wrecking Ball
is so fine in every way, Oh Mercy too...and of course the Peter
and U2
records....perhaps it's a case of unrealistic expectations.
Daniel certainly
brought LJ into a deeper place than before...The sounds, the
production are
the real deal. It's the material, the songwriting that leaves me
longing for
more. Anyone else have any feelings about this? I'm going to give
it a
little more time...
Now, the Ron Sexsmith album is another story. This is beautiful
and
improtant to hear. One track includes Daniel. Just terrific.
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Date: Fri, 01 Nov 1996 21:30:54 -0800
From: Jean-Claude Lacasse <"lacasse.famille.
"@sympatico.ca>
Subject: new member of the "club"
Hi to all of you!
Has you can see, I'm new here and very happy to chare
with other admirer of Daniel Lanois. My very first
"experience" with
Daniel goes back to Birdy and So then Acadie. The guy his so
impressive,
I love what he does. Hope to see him soon for a show here, in
Gatineau
or in the region.
Later, Martine from Gatineau
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Date: Sun, 3 Nov 1996 02:27:08 -0500
From: igranof1@swarthmore.edu (ilmi)
Subject: Good Jackson, No Daniel
Dear Lanoiphiles,
I Haven't submitted in a while. I guess I have had no interesting
stories until now. Last night (11/1) was the second night of the
luscious
tour. They were here in Philadelphia, PA., and Josephine Wiggs
(of The
Breeders) Experience opened for them. The banded really had a
groove on,
and the sampling was where lanois sounds emerged. Unfortunately,
the crowd
was more of a head-nodding, low-key crew, so they didn't
reciprocate the
energy of the band. After - about an hour and half or so - My
friends and
I ran into Luscious Jackson loading their van and chilling. I
went over to
Vivian (Trimble, the keyboardist DIVA) and asked her where daniel
was.
She told me that he sort of "drifts in and out" and
that it was hard to
predict when he would appear. Apparently, they all hit it of
really well
with dl, and it sounded like they wanted him to be there.
Although dl was
sorely missed, I was glad for the chat (and signature) with
Vivian, who
stole my heart with her subtle smile and cool manner. I hope to
here more
stories and reviews as they cross the country. By the way, I
think the
album is really good, a bit more mellow than most jackson. It
sounds more
like a Mitchell Froom production to me, although it definately
has its
lanois moments and influences.
yours deeply,
Ilmi Granoff
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"All humanity is one undivided an indivisible family, and
each on of us is
responsible for the misdeeds of all the others. I cannot detatch
myself
from the wickedest soul." -Mahatma Gandhi
"Separate from yourself that which seperates you from your
fellow human beings."
- M. R. Bawa Muhaiyaddeen
"[Hu]man and heaven and earth are one thing. Why should
[hu]man purposely
belittle himself?"
- Ch'eng Hao
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The views expressed in ACADIE are those of the individual authors
only.
ACADIE is released for the personal use of readers. No commercial
use may
be made of the material unless permission is granted by the
author.
Kenley Neufeld, ACADIE editor
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