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A C A D I E
The Internet newsletter for Daniel Lanois
Number 19, Sunday, 21 April 1996
Great big issue this week, I hope you enjoy it. Keep it up!
Today's Topics:
Re: ACADIE Digest, Number 18
Aghhhhh! I am in no Rush to see this collaboration
bobby wiseman and danny lanois....
[no subject] The Maker/River Rise
Canadian Producers?
Canadian Producers?
Emmylou and her special guest
Re: ACADIE Digest, Number 18
Re: Buddy Miller/Lanois Gear
emmyLou concert in LA
I have been floored!
LYRICS> O Marie by Daniel Lanois
"The Spectator"
The fabled new album/Neville Bros
Emmylou concert
strange info from "The Spectator"
lanois
Lanois, Lanois, Lanois (lalala)
Emmylou in some magazines
LYRICS> lyric alternatives/suggestions
Hi Dan Fans!
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POSTS: Please send all posts to lanois@sfbayconcerts.com
WWW: http://www.sfbayconcerts.com/lanois/home.html
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Date: Fri, 12 Apr 1996 18:43:21 -0700 (PDT)
From: Suren Thuraisingham
Subject: Re: ACADIE Digest, Number 18
Dear Kenley,
I saw ELH last week in Saettle from the front row.It was brilliant.
One outburst of that raw Lanois guitar sound during the Goin back
2....bit.
It was great to see Daryl Johnson perform. He really appears to have a
powerful role as a driving force behin the team.
Did you know that Dan's bro is a well known chef?????
Bye 4 now.
Suren
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From: ElevenShad@aol.com
Date: Sat, 13 Apr 1996 02:59:55 -0400
Subject: Aghhhhh! I am in no Rush to see this collaboration! :)
>>I'm always intruiged by Americans mentioning Rush...for
some reason, I always assume that they aren't well known outside Canada.
I believe someone mentioned a Rush/DL effort as being a sort of 'dream
team' combination and I couldn't agree further.>>
AAAAAGHH! NOOOOOOOOOO! I was kidding! This was my post in #15!!!!
>And to respond to another post -- I think that Lanois/Young together would
be
>a very interesting combination! We could in fact have this complete
Canadian
>collaboration, and have Lanois produce Rush as well (just kidding...)!
-Ken, the Eleven Shadows guy who is trying to stop hyperventilating... :)
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Date: Sat, 13 Apr 1996 15:58:52 -0400 (EDT)
From: michele vanderwoude
Subject: bobby wiseman and danny lanois...
i guess i'll have to direct this question to dale miller...did daniel lanois
and bobby wiseman work together? i had no idea?! i did mention something
in a previous acadie issue about ron sexsmith--bobby wiseman produced his
first, independent album, and appeared on it doing some of his fabulous
piano work and backing vox.. it's fantastic, if anyone's interested. it's
called "grand opera lane' although i'm not sure how easy it is to get ahold
of. if anyone is in the toronto area, the new issue of impact magazine has
a great article on ron sexsmith and mentions that he and DL may be doing
work together in the future.
hmmm...let's see...someone asked me how i got into daniel's music-at least,
i think the question was for me. well, i used to date a musician from
hamilton who knows him, so that's how i got into it. i also saw someone
enquiring about DL's personal life. i wonder how much of it is really our
business. i mean, i would like to know as much as the next guy what he's
really like, but give me a break. i think he probably values his privacy.
let's try and keep it that way.
i hope that didn't offend anyone. i'm leaving the net for a while, so this
will be my last letter to acadie. i've greatly enjoyed the letter and all
the informative contributors' notes. take care!
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Date: Sun, 14 Apr 1996 00:49:42 -0300
From: "Robert J. Currie"
Subject: [no subject] The Maker/River Rise
Just a quick question: last ish, Kenley mentioned Emmylou performing "The
Maker/River Rise", and I have seen references to Danny performing this
title also.
Obviously, I'm more than familiar with The Maker, but what's "River
Rise"? Something new/traditional he includes in live performance?
Cheers,
Rob Currie
Halifax, Nova Scotia
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Date: Sat, 13 Apr 1996 19:09:16 -0700
From: soundwel@well.com (Richard Crowl)
Subject: Canadian Producers?
I spent my Junior High years in Petaluma, California (45 miles north of
San Francisco) and I'm fairly sure the (now producer) Mitchell Froom was
in the band there & not from Canada. This guy was very ambitous and for
sure the best musician in Junior High (Trumpet). I'd be very suprised if it
wasn't the same person.
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From: ElevenShad@aol.com
Date: Sun, 14 Apr 1996 17:04:02 -0400
Subject: Emmylou and her special musical guest
Caught the Emmylou Harris show at the Troubadour in Los Angeles, a relatively
small venue, last night. She had the Neville Bros. rhythm section, including
Daryl Johnson (who also toured/recorded with DL). She did most of the new
album, as expected. Her guitar player, Buddy, is a very gifted, primarily
country-style player. Anyway, I'll cut to the chase: DL came out and
performed a number of songs with Emmylou, including a very cool version of
Hendrix' "May This Be Love" (the song everyone refers to as "Waterfall"), and
did some DL songs, including "Indian Red" (see Kenley's description to fill
in some of my blank spots). "Indian Red" was interesting to listen to, with
Buddy's countryish playing sounding quite different from DL's vaguely
psychedelic rock playing.
It would have been interesting to talk to the mixed audience and see what
they felt. It seemed to me that a lot of people showed up at this gig for a
lot of different reasons, some of them being long-time Emmylou Harris fans,
others there to see the Innocence Mission (very cool, BTW), some, like me,
showing up because we love her latest album...and a lot of ground was covered
for a more "mainstream" sort of gig -- country, folk, rock, funk, percussion
breakdowns, psychedelic rock, etc. Something for everyone, or something to
annoy lots of people, depending on how you view it. DL came across on stage
as a guitar-playing Joe Cocker during his guitar solos, looking like he was
having a seizure while he was strangling and choking the notes out of his
guitar -- much more so than during his own live show, I thought. He
sounded/played/sang well. He also wore a Motorhead T-shirt! :)
I thought that she introduced the drummer as Brian Blades. However, Kenley
said that it is his brother Brady Blades, playing drums instead. Can anyone
shed some light on this for me? Anyway, I missed at least a couple of songs,
because one of the girls that I was with fainted midway through the set, and
had to be taken out for some fresh air. That was very strange -- she wobbled
and then collapsed midset, presumably due to lack of oxygen and general
stuffiness.
-Ken/Eleven Shadows
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From: "Eric Iverson"
Date: Sun, 14 Apr 1996 18:49:25 -0600
Subject: Re: ACADIE Digest, Number 18
Howdy-
In regards to (Eric from Monmouth's) last entry; I am in complete
agreement, the censorship on the cover of 'Wynona' sucks! But that's
America! If it was a picture of her head ' blowed off ' it would probably
run unaltered. Anyway, I'm not sure of this but someone once told
me it was a Robert Mapplethorp photo. If anyone finds out it I would
be interested.
Another thing I would be interested in is the lyrics for ' Death of a
Train '. I saw partial lyrics earlier, but I would be interested in
their entirety.
Along with Van, Dan is the Man, and everything I've heard from him is
excellent. Beyond his Acadie, Wynona, and Cool Water discs, I've
found his contibutions to Jam Nation: Way Down Buffalo Hell, Plus
>From Us, both on Peter Gabriel's Real World label, and a song on the
sountrack 'Last of the Mohicans' to be entertaining as well. I love
soundtracks and I bet Mr. Lanois would be an awesome soundtrack
composer. An artist who I've always admired both as a composer and
musician is Mark Isham. I recommend checking him out.
That's it from the south shore of Lake Superior. Peace-Bye- Eric
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Date: 15 Apr 96 03:35:56 EDT
From: "Wm. R. Burke II" <73513.3043@compuserve.com>
Subject: Re: Buddy Miller/ Lanois Gear
To All,
I realize this is mainly a forum to DL stuff, but a friend of mine that
works for a company that has something to do with press releases to Music trade
publications sent me this press release regarding Buddy Miller and his
employment in Emmylous' band:
>>>>
NASHVILLE, Tenn.--(ENTERTAINMENT WIRE)--March 25, 1996--HighTone Records
artist Buddy Miller has been picked to be the lead guitarist/backing vocalist
for Emmylou Harris on her Wrecking Ball Tour, which recently began in
Cincinnati and is expected to continue into the summer.
Miller, who recently performed as part of the critically-acclaimed HighTone
Records Roadhouse Revival Tour, jumped straight into rehearsals with
Emmylou's band, which, in addition to Harris on vocals and acoustic guitar,
also includes Daryl Johnson on
bass and backing vocals and Brady Blade on drums. Besides his guitar duties
with the band, Buddy Miller is also singing harmony vocals with Harris, as
well as backing vocals.
Emmylou Harris appeared as a guest vocalist on Miller's HighTone Records
debut album, Your Love And Other Lies, released last summer to rave reviews
among critics and fans alike, with singer Steve Earle declaring, "Buddy
Miller made the best hillbilly album of last year." Miller will begin work
on his next HighTone album this summer.
Reports from the road on the first dates have been exceptional. "This is a
dream fulfilled," says Miller from a tour stop. "The band is excellent and
Emmylou is giving me a great deal of freedom as a guitar player. She's got
so much honesty and integrity as both an artist and a person that it's a real
honor to work with her," he adds.
<<<< i have never heard of this guy and from reading that it sounds
like an odd combination, or at least a change of gears sonically.
if any guitar players sees an emmylou show with this guy playing
i'm curious as to what kind of rig he's using. when i saw dl at
the l.a. house of blues date he right after the wb release he was
using an early 60's brown fender deluxe and a late 50's fender
tweed deluxe with an assortment of cheap guitar pedals, dod eq
pedal, a tube screamer(i think), a boss compressor, and i think a
tremolo/pan pedal(not cheap anymore), maybe a delay too, but i
don't recall exactly. i was intrigued by his choices in guitar
amps. i've read some interviews and he seems to like to turn
amplifiers all the way up and use that sort of unstable sound.
for cleaner passages he will use a very light touch and then play
harder for more drive from the amp. his amps of choice for wynona
were vox ac30s and a particularly amazing '59 fender bassman.
both of these amps have distinctive tones and react in a very
pleasant way to dynamic playing. a good example of that light
touch-full volume sound is the solo of "messenger", note how some
of the notes almost erupt into feedback. some wonderful things
happen when an amp is pushed that far beyond it's efficiency
level. the title track is also rather stellar in the world of
guitar sounds. the overdriven guitar sound that fades in and out
through the song until the solo where it takes a greater share of
the mix is a strat though the bassman turned up as loud as it
will go. quite nice. i hope i didn't go too far of into guitar
land with all this amp stuff, but i think his approuch to
recording in general is outlined very well buy his guitar sounds.
i hear this because i play guitar and a person that plays drums
may say that his drum sounds more clearly define his recording
approach. i guess it's all very subjective. i hope all this has
something in it that someone might care to know. billy
73513.3043@compuserve.com
[][][][][][][][][][][][][][][][][][][][][][][][][][] date: mon,
15 apr 1996 13:08:38 0800 from: cheryl@rhythm.com (cheryl slean)
subject: emmylou concert in la was poking around looking for
emmylou and daniel lanois info on the web because last friday i
saw an *amazing* emmylou show at the intimate club troubadour in
west hollywood. lanois played for several songs, and they were
terrific together, both singing on the same mic. the show was
very long and intense and sounded great-- her voice, the mix,
arrangements-- and since it was in a club my friends and i were
able to stand "hip up to the stage" for the whole show. another
cool thing about it being in a club was we could hang around
afterwards. my friend spoke to emmylou, who signed her cd, and
then when we left, we (literally) ran into daniel lanois on the
street. we showered him with compliments on his performance, and
unlike many performers, he took them gracefully and made no move
to exit. so we all chatted with him for a few minutes, asking him
questions about the album, the band, new orleans, until we went
our separate ways. i was really delighted that a person of his
stature in the music industry was so ingenuous and friendly,
especially when accosted by fans on a hollywood street. i'm
looking forward to getting his solo albums, which i was (mostly)
unaware of. thanks for all the info on your web page. cheryl
slean cheryl@rhythm.com
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shafley@aol.com date: tue, 16 apr 1996 02:15:08 0400 subject: i
have been floored! kenley, sorry that i have taken such a long
time to write back! i was using a different service and i never
check the mail on it. anyway i would be interested in a lanois
newsletter. i consider him my mentor when i am in the studio.
check this out! i went to go see emmylou harris last thursday at
the ventura concert theatre in ventura, ca. the show was
incredible!. she had darryl johnson playing bass, footpedals and
some percussion. buddy miller was doing a fairly good job at
sounding like dl and um ....i forgot the drummers name.... anyway
about 3/4 of the show has gone by and then she looks around and
then says "let me introdruce daniel lanois..." . i had to double
take it! it was him! he came out strapped on his vintage gibson
firebird and they broke into may this be love. i was speechless,
here he was my mentor. his stage presence was mindboggling! he
ended up playing about six songs with her and then they ended up
with indian red off of for the beauty of wynnona. his drop by was
totaly unexpected. there was no buz about him playing so i just
asumed that it was going to be emmylou. man was i in for the ride
of my life! keep in touch, shawn
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17 apr 1996 00:19:40 0700 from: robert bilodeau
Subject: LYRICS> O Marie by Daniel Lanois
In the song "O Marie" by Daniel Lanois, the line should be written "...en hostie."
The real meaning is hard to translate since swearing (french-canadian way) is different.
Let'say that he's not working "for" the Host.
"en hostie" here means working very hard. In french, the more acceptable way to say it
would sound like "working in sweats".
It is very common to use religious terms to accentuate the language and there is a whole
repertory of words that you'll never hear on tv or else.
In this instance, tabernacle, calvary, would just do it the same way.
You're right about "bleu" and it is not "dieu".
Hope to be of some help.
Robert Bilodeau
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Date: Thu, 18 Apr 1996 00:20:02 -0700 (MST)
From: "Antonio S Abeyta" <21113@ef.gc.maricopa.edu>
Subject: "The Spectator"
Hey all! I found a nifty site for 'The Spectator' - what looks like a local
Hamilton newspaper and/or magazine - the link below has a complete list of
Hamilton area musicians and is very complete in all the connections. I
found some interesting info on Dan - like several of the country/folk
acts he produced early on - as well as stuff about Bill Dillon, Crash
Vegas, etc, etc... Just follow the links! :)
http://www.thespectator.com/ego/bandarchive/bnd.html
Still working on updating lyrics :) - Ant
[added the link to the Related Sites off the Daniel Lanois Home Page - Kenley]
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Date: Thu, 18 Apr 1996 00:39:50 -0700 (MST)
From: "Antonio S Abeyta" <21113@ef.gc.maricopa.edu>
Subject: The fabled new album/Neville Bros
Oh yeah - according to one of the links from the previously mentioned
site, Dan has had his third album COMPLETED since late 1994!? So where is
it? :) Guess that's one of the drawbacks of being such an 'in demand'
producer - no time to promote your own albums? I don't suppose Warner Bros
would let him release it without touring, and it looks like he's going to
be busy with Luscious Jackson for a while, so....
By the way - I've just 're-discovered' the Neville Bros' "Brother's
Keeper" album after quite awhile and just thought I'd rave about how great
it is. Malcolm Burn produced it and Dan plays guitar on one track. The
whole album has a Malcolm Burn/Lanois feeling to it but not as evident as
on "Yellow Moon." Seriously - if you haven't heard this album, try to get
it. (I also got the Subdudes' album - I've been in a 'New Orleans' mood
lately, I guess... :) )
Ant
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Date: Thu, 18 Apr 1996 00:49:23 -0700 (MST)
From: "Antonio S Abeyta" <21113@ef.gc.maricopa.edu>
Subject: Emmylou concert
...and yes, Kenley - PLEASE tell us about the Emmylou Harris concert for
those of us in places where, despite the large amount of country music
fans, neither Emmylou nor Dan will ever tour. Guess people here in Phx
would rather go to a tractor pull or something...
(...must avoid making political statement about Arizona... must avoid
making political statement about Arizona... - been listening to too much
Neville Bros :) )
Ant
[There are several other comments on EH in this issue; hope you don't mind
if my comments wait for now. -- Kenley]
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Date: Thu, 18 Apr 1996 16:20:01 -0400 (EDT)
From: Kimberly Mitchell
Subject: strange info from "The Spectator"
Hi everybody--
I wanted to write and say how much I am enjoying the discussion that
takes place here. It's so refreshing to find thoughtful and sensitive
discussion about a musician and producer worthy of it.
I recently ran across some interesting information that I'm hoping
someone can explain to me. At a web sight for The Spectator, a Hamilton,
Ontario newspaper, I read the following from an article dated 12/8/94:
"Hamilton star producer and recording artist Daniel Lanois is wrapping up
recording session for his third solo album in San Fransisco according to
his publicist, Melanie Ciccone. The as-yet unnamed album is scheduled
for a spring release." My question is, which spring? because it
certainly wasn't released in the spring of '95 (as far as I know).
Perhaps a record was made, but isn't (or wont') be released. Or maybe
the paper just got the story wrong. Does anyone have any ideas or info?
I found two other interesting tidbits at the site. The first is that
apparently, DL is a artist-development consultant for Capital Records,
advising the label on acts worthy of signing. Second, in 1993-1994 DL and
his sister, Jocelyn, collaborated on a soundtrack to a film called
Camille. Does anyone know if this soundtrack was ever released? The site
has some info on Bob Lanois, who seems to have some interesting projects
of his own, as well as info on other members of the Lanois clan and
Grant Ave Studio. If you want to check it out, the address is:
Go to the "Homegrown" section.
Thanks again to all who participate in this newsletter,
Kim
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From: ay858@lafn.org
Date: Thu, 18 Apr 1996 18:20:19 -0700
Subject: lanois
looking to trade lanois tapes i have 70000 hrs though only a few
lanois i have tons of dylan dead all hq dat or analog also
looking to sign up to any lanois newsletter or list
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Date: Thu, 18 Apr 1996 22:04:00 +0100
From: yun@alumni.caltech.edu (Shu-Shu Loh)
Subject: Lanois, Lanois, Lanois (lalala)
Howdy folks!
(1) I heard a (sounded-like) live version of "Orphan Girl" with sitar and
Emmylou sounding like a strong Nanci Griffith. Is this version available
in "print"? I heard it on the L.A. station KCRW, public radio.
(2) Cover of Wynona. As I recall from the interview (I failed to record,
the one that got me interested in lalala), DL said it was a picture of a
Bosnian woman who was underweight but showed her strength in fighting back
by carrying a knife. He, of course, is referring to the rapings happening
over that war-torn country. Because of censorship, DL decided on American
Version to help remind Americans of the rapes at home. He also wanted to
stress the strength of women.
(3) Not that there is anything wrong with LaBamba....did someone
previously mention Charlie Sexton Sextet, produced by Malcolm Burn? I've
heard two songs from the latest album and though not great (as in lalala
great), it sounded promising. Anyone with any info?
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From: ElevenShad@aol.com
Date: Sun, 21 Apr 1996 04:05:10 -0400
Subject: Emmylou in some magazines
Emmylou Harris is in Dirty Linen #63, a folk, electric folk, traditional, and
world music publication, out now. She is also in another folk publication,
but unfortunately, I can't think of the name -- Acoustic Guitar? I'm
sorry... anyway, there is some discussion in Dirty Linen about the making of
"Wrecking Ball" with Daniel Lanois (who recently joined Emmylou at the
Troubadour gig in L.A. for several songs!).
-Ken/Eleven Shadows
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Date: Fri, 19 Apr 1996 16:35:06 -0400 (EDT)
From: Kimberly Mitchell
Subject: LYRICS> lyric alternatives/suggestions
Kenley--
I just looked at the compilation of lyrics at the DL site and have a few
alternatives/suggestions:
"Jolie Louise" last verse line 6:
"tous les jours" instead of "onto the shoe"
"Ice": "Your voice would fill the night / I think of yesterday"
instead of "Their voice was filled with pain / I think I am staying"
"Brother L.A.: 2nd verse line 2: "Down from the final blow"
instead of "Down from the fountain blue"
4th verse line 1: "(Like a?) cool big brother..."
final verse line 1: "My cool big brother..."
also: "The sea that promises defeat..." ("defeat " instead of "to be")
"Death of a Train":
1st verse line 1: "Union Station tombstone-high"
("tombstone-high" possibly describing the remains of a demolished
building, rather than "Tombstone High", the name of a school?)
2nd verse line 3: "You've been lent land of my father"
instead of "you been land" or "Newfoundland"
"Unbreakable Chain":
2nd verse line 1: "You walk and you move..."
instead of "You work and you know..."
"Indian Red":
"When I throw my net in the river"
instead of "when I throw my bed in the river"
"For the Beauty of Wynonna":
1st verse line 4: "For the hell of it, for the laugh"
instead of "What a hell it is, what a life"
2nd verse line 1: "Laugh in my face why don't you? / Laugh with the rest
you know it well"
instead of "I burn my fingers, why don't you? / Up with the rest who know
it well"
3rd verse line 3: "It's changed..." ("it" referring to the phone number)
instead of "This change.."
4th verse line 2: "Throwing another in the pyre (or fire)"
instead of "Throwing your mother in the pond"
"Rocky World":
1st verse line 4: "In the faded picture..."
instead of "And the faded picture"
5th verse line 2: "Bounding (or Pounding?) the blacktop.."
6th verse line 1: "Jenny has religion, she sings in a church"
instead of "Jenny has religion, she sinks in a chair"
Okay, maybe I have more than "a few" suggestions, but this is the way I
have always heard these songs. Just putting my two cents in! Thanks for
the great work!
Kim
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Date: Sun, 21 Apr 96 01:07:07 -0700
From: Tim Eveleigh
Subject: Hi Dan Fans!
Kenley, I have certainly enjoyed your DL website! I have also enjoyed
all the fun interplay about techniques and lyrics. My turn to add Lanois
anecdote:
Found Lanois on Acadie by accident one night in a DC basement where we
were mucking about with reverb, guitar effects, microphones inside
burritos and whatnot. He was amazing. We gave up what we were doing and
just listened to the CD, a job done right and with such spirit and
mystery... Dreamt his music often after that.
A few months later, at our wedding, my wife and I danced our first dance
to "Ice" and had the DJ throw in practically the rest of the album - not
what the audience was really expecting, but weddings are about
introductions. We moved to central Colorado and away from the world of
alternative music (which here means non-countrypop). Caught wind that DL
was appearing in Boulder. Bought ticket over the phone from someone who
thought he was a heavy metal act: 'Dan La Noise'. My wife was now 9
months pregnant but we couldn't miss this opportunity, so we packed as if
going to the hospital and made the four hour trek to see DL. Absolutely
superb live. I have hopes that Mary Alice who was born a few days later
was influenced by the show! DL's photographer/brother was a hoot to be
around too. DL spoke alot between songs about his personal feelings
about the characters in Jolie Louise and Stormy Skies. To date the only
things I have found biographical...
So glad to see that others have found and are enjoying this remarkable
musician and that there is still a musical world out there. Got the
wonderous Wrecking Ball on a rare business trip to San Francisco (wherein
I go mad at Tower Records listening to everything possible; extrapolating
and interpolating old known bands; chasing down things I have partially
picked up and written on numerous napkins, matchbooks, teller machine
output, cheeseburger wrappers, car seats etc.; smoked my Amex card) but
alas, no Cool Water, no new Lanois. But now I've found friends who'll
keep me in touch right?
Please add me to your list!! Tim
eveleigh@rmii.com
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The views expressed in ACADIE are those of the individual authors only.
ACADIE is released for the personal use of readers. No commercial use may
be made of the material unless permission is granted by the author.
Kenley Neufeld, ACADIE editor
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